18 dezembro 2009

Jon Spencer Blues Explosion - Discografia Selectiva

“Extra Width” (1993 Matador)
“Extra Width” é a analogia aural de um momento flamejante – uma mistura de “tequila”, “Budweiser” e “speed”- excepto a paranóia e náusea resultantes.
Unidos pelo desejo de “fazer algo realmente louco”, Jon Spencer, Judah Bauer e Russell Simins (ex-Honeymoon Killers) estão tão versados no papel de uns verdadeiros mestres do “blues”, como estão no de teóricos da deconstrução.
No seu mundo Son House “jams” com os Gang of Four, Thurston Moore toca com os Million Dollar Quartet, e uma desordem áudio é talhada. Em estúdio, Spencer e companhia tocam com as camadas visíveis, os níveis sonoros no máximo e com o bom senso de saberem que o “real blues” não é um produto rarefeito para os fãs de Robert Cray. Os The Blues Explosion começavam a deixar marcas indeléveis na música “rock”.

“Orange” (1994 Matador)
Um grande passo em frente em relação a “Extra Width” – um motim rítmico que confunde e perturba. A prontidão de misturar as coisas de Spencer – principalmente o Theremin, com as influências Stax e “P-Funk” - é inspirador.
Treze exuberantes e empolgantes canções de irresistível e vibrantemente ruidosa energia.
Existe mais do que uma forma de aproximação à música dos JSBX. Primeiro como uma jubilosa continuação do caminho de “blues’n’roll” de Captain Beefheart – tal como este fez com Howlin’ Wolf, Spencer faz o mesmo para Hound Dog Taylor (a fonte original da Blues Explosion – 2 guitarras, bateria e sem baixo). Segundo, como um alegre despojamento do niilismo da “No Wave” nova iorquina, da qual os Pussy Galore eram os enteados não desejados. Convém relembrar que os Pussy Galore fizeram uma bizarra versão integral de “Exile On Main Street” dos Rolling Stones.

“ACME” (1998 Matador)
Embora seja o resultado de mais de seis meses de gravações em colaboração com cerca de uma dúzia de produtores, o quinto disco da Jon Spencer Blues Explosion parece mais o resultado uma gravação ao vivo.
A restrição aqui é a chave, quando Spencer, o guitarrista Judah Bauer (que toca aqui muito mais baixo do que fazia no passado) e especialmente o baterista Russell Simins afinam o tipo de “soul” dos anos 60, que o “punk” era muito orgulhosamente indisciplinado para imitar.
“ACME” marca o regresso da JSBX aos ritmos uniformes – mais ao estilo de “Orange” (1994) do que do saltitante “Now I Got Worry” (1996) – mas agora, em vez de libertas, as batidas tribais de Simins estão em satisfeito conflito com o unicamente não refinado sentido melódico de Spencer e actuam perfeitamente.
Se canções como “Magical Colors” e “Do You Wanna Get Heavy?” mergulham em novos padrões rítmicos, já “Blue Green Olga” e “Torture” são suficientemente suaves, que a característica rudeza de Spencer, ao inicio parece ausente.

“Damage” (2004 Mute)
Podemos bem dizer: “If ain’t broke, why fix it?”, os The Blues Explosion parecem melhorar com o passar dos anos. E o facto de abandonarem o Jon Spencer do nome da banda parece o único sério desvio do descarnado e irregular “blues-punk”, mas bem característico, que vêem a produzir ao longo dos últimos anos.
Desta vez são ajudados por convidados como DJ Shadow ou David Holmes, que fundem as arrogantes, mas seguras guitarras com o carácter do “hip hop” e ainda captam o frenético e louco gorgolhar de Jon Spencer.
Desde o lento e taciturno “Spoiled”, com a presença de Martina Topley-Bird, passando pelo discurso politico de ” Hot Gossip” (com a presença de Chuck D dos Public Enemy) , pelo impetuoso “pop” de “Crunchy”, pelo “space-rock” de “You Been My Baby”, até à paranóica “Rattling”, é só fúria, com os ritmos triturantes a impelirem este besta através do “rock’n’roll”, “white soul”, “southern rock”, e muito mais “natural blues” do que qualquer disco de Moby.
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5 comentários:

Gravilha disse...

orange e now i got worry, para mim os mais essenciais

strange quark disse...

Ora aqui está uma banda que o grande mestre António Sérgio me apresentou.

Anónimo disse...

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